Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all, you must not strip it of vitality.
Dangerous
Young
Artist
Conception
Ideal
Constantly
Weak
Prettiness
Lifeless
Touch
Strip
Young Strip
Artist Touch
Conception Lifeless
Ideal Prettiness
Constantly Weak