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Often you have to dive into the independent world to find very good projects and very good scripts. They are there just search hard.
When major science and defense technology projects are developed, do the people in power think about the sacrifices that people working in labs and fields need to make?
I usually work on a movie soundtrack for two years, transforming a song every two or three months, which keeps my creative energy at a high level, as I constantly shoot projects. The trick is to make sure that I do not work too much and that I do not get tired.
I am a Sufi Muslim, I would say. I believe in using the medium to create a good vibration because art is so important to society. Some projects that I do not do because I feel that it will create a bad mood. I do not make propaganda films anti other religion, anti Muslim or anti Hindu.
Some things are very discreet, but if they stimulate me creatively, I accept them. Sometimes there are big projects, and you have to do it. We all have human limitations. It is a painful decision to refuse things.
The more I support in my economic projects the construction of a middle class, the faster they will turn around and say, "Hey, we want to have a greater influence in things". So, I knew what I was getting into from the beginning. That's what you should do.
It's so funny, I did so many projects where I was interviewed. I'm invited to play almost every hour, and I'm still the guy they think is the bad guy, but they find out no.
I'm always drawn to the independent side of things, just because these are stories that always fall in love, but you're not really paid, and living in Los Angeles is expensive and I have a mortgage to pay. So, it's good to jump into a studio movie and then make small passion projects another time.
What's great about Sundance is that they only accept a handful of movies a year for a dramatic competition. So you know, when you go to Sundance, you will see high quality projects.
Seriously, who really cares about how long the Nile lasts or who was the first to discover the cheese? How to memorize will this ever help someone? Instead, we need to give children projects that allow them to exercise their minds and discover things for themselves.
I would like, especially in the movie, to play against the guy and do heavier stuff. I am intrigued by projects that deal with people and problems.
When I talk to some of the youngest filmmakers, they are so worried about their films that ultimately this state of worry is reflected and helps the final work. While, in the case of meticulously planned projects, you look at the end result and this one is full of emptiness.
A good movie is made by a first energy boost, the way your classroom exercises are always better than your final projects when you're in school.
I'm a lifelong movie addict, and one of my favorite projects is making replica props and costumes. Nearly every one of these from R2D2 to Hellboy's revolver ends with the paint job. And it's not just cosmetic. The paint literally tells a story: what this thing is made of, where it's been, what it's been used for, and for how long.
Mostly I make lists for projects. This can be daunting. Breaking something big into its constituent parts will help you organize your thoughts, but it can also force you to confront the depth of your ignorance and the hugeness of the task. That's OK. The project may be the lion, but the list is your whip.
I had saved a few hundred photos of dodo skeletons into my 'Creative Projects' folder it's a repository for my brain, everything that I could possibly be interested in. Any time I have an Internet connection, there's a sluice of stuff moving into there, everything from beautiful rings to cockpit photos.
In 1999, I was in St. Louis with Martin Luther King III as we led protests against the state's failure to hire minority contractors for highway construction projects. We went at dawn on a summer day with over a thousand people and performed acts of civil disobedience.
To work in architecture you are so much involved with society, with politics, with bureaucrats. It's a very complicated process to do large projects. You start to see the society, how it functions, how it works. Then you have a lot of criticism about how it works.
I have a bunch of concepts and ideas that I want to do but I have also been growing my production company in general and looking to branch out of projects that I am directing and producing.
Pick up any newspaper or magazine, open the TV, and you'll be bombarded with suggestions of how to have a successful life. Some of these suggestions are deeply unhelpful to our own projects and priorities and we should take care.
I wasn't born with a silver spoon in my mouth; I came from really humble beginnings the projects of New York City and I worked my way to get to where I am.
If you decide you want to change your life around, it doesn't matter where you came from, what you did, if you were incarcerated or you are from the projects, if you are an uppity kid who came from a really wealthy family and all of them do drugs and are into that life it doesn't matter; come as you are, and God does his work.
I love working if it's with people who are capable of having a good time. People with a little bit of enjoyment of what they do. If it's enormous pressure, and people feel that their lives are at stake, then it's agony. So I try to pick projects where I feel like I'm going to avoid those traps.
There have been times when I've been broke, and a job came along, and I've said, 'Yeah! Let's do it!' But I will never do something without having a feeling of knowing how to play it. I've been in projects that I felt terrible about afterwards, but I've always had something that sparked me while I was doing it.
We make a contract within ourselves as actors or directors or writers about how much of ourselves we let into projects. You can actually figure out before you work on something how much blood you will have to let emotionally.
I always tend to think, even in residential projects, about what a space is being asked to do where is it located, what are the circumstances, where can I attack the problem, so to speak. How can you create a narrative for people moving through it? How can you convey its character?
I like to do projects in which you can see statistical results. I am very happy for all these small children, who have been the biggest group of victims of iodine deficiency.
To understand how black projects began, and how they continue to function today, one must start with the creation of the atomic bomb. The men who ran the Manhattan Project wrote the rules about black operations. The atomic bomb was the mother of all black projects, and it is the parent from which all black operations have sprung.
For decades, the men at Area 51 thought they'd take their secrets to the grave. At the height of the Cold War, they cultivated anonymity while pursuing some of the country's most covert projects. Conspiracy theories were left to popular imagination.